Spring Party!
All of us here at Interstice Architects would like to invite you (yes you) to our 2011 Spring Party on Thursday, May 5th! Come celebrate the new season and/or start your Cinco de Mayo night out at our office in the Mission, located at 587 Shotwell Street. Enjoy Mexican food, drinks, and music in our office digs. If you plan on attending, kindly send an email to rsvp@intersticearchitects.com
BAYA Visits the IA Office
Interstice was pleased to host the Bay Area Young Architects at our offices last month — the evening included drinks, food, a tour of IA’s warehouse office, and a presentation of some of our new and ongoing work. Look below to view some photos taken during the evening, and be sure to check out BAYA’s upcoming events.
USF Center for Science and Innovation & Harney Plaza Featured in Architect's Newspaper
The Architect’s Newspaper’s January West Coast edition has published Interstice’s work on of the USF Center for Science and Innovation and Harney Plaza. In its feature article “Budding Relationships” (page 13), editor Sam Lubell discusses new approaches to building that merge landscape and architecture, and includes several new projects going up in California that follow the trend of “soil-meets-steel,” which has prompted “architects and landscape architects to collaborate more closely, and occasionally, even to reverse roles.” The USF CSI & Harney Plaza, which Interstice worked on in collaboration with NBBJ Architects, was included in the article’s trending survey of projects, as well as an interview with Interstice’s Zoee Astrakhan.
Public Networks of Urban Access
This past September, San Francisco held it’s annual “Architecture and the City Festival”. This year’s theme, “Investigating Urban Metabolisms,” asked participants to “… take an in-depth look at hidden and emergent systems that generate form, movement, growth and entropy in the city.” Taking part in the event, our office organized an exhibit titled “Public Networks of Urban Access,” which presented a variety of pedestrian open spaces developed in the city within the past 20 years, and analyzed the various emergent relationships that exist between them.
The exhibit interprets the festival’s theme of “Urban Metabolisms” by comparing the networks formed by these spaces to the various systems of the body and the roles they serve as parts of a unified whole. The aim of this process is to find creative ways to de-familiarize these sites so new interpretive value can be found – value which may guide future design strategies affecting the public space of the city. The detailed conditions, specific to each site, provide a broad basis for investigation, linking the various open spaces geographically, ecologically, socially, and historically.
Pedestrian Networks function in the body of the City in a multiplicity of ways. They are designed to accommodate the human body, but also function environmentally and experientially. As a CIRCULATORY system, they get us from here to there; as a RENAL system, they filter water and air, improving our health and sustaining us; and as a NEURAL network they communicate the mutable natures of the urban environment – the haptic, visual, auditory and olfactory. This analogy provides us with the impetuous to explore the “comparative anatomy” of several recently improved San Francisco pedestrian networks and is meant to stimulate further exploration through estranging the familiar – revealing new perspective so that we can discover (experience) them anew.
The projects presented, all of which provide access to wild landscapes, sensitive areas and waterfront, are intentionally diverse, and are categorized into one or more of the following: Topographic Access, Pedestrian Streets, Water Access, and Access to Sensitive Habitats. With each of the twelve projects represented we provided a field of comparative data, an abstract, communicating a brief history, the scope of the contemporary improvement, plan and sectional graphics, and an example of the designer’s vision or other experiential material – all meant to educate, awaken and inspire further exploration through self-guided visits to the individual projects.
The projects are mapped onto various aspects of San Francisco to contextualize them in relation – to water, sound, neighborhoods, and other urban metabolisms and emergent systems- all play a role in how we know and understand these places.
The projects selected and showcased are a small selection of the emerging network of pedestrian access and pedestrian-centered environments that have been designed, built and improved upon in the last two decades in San Francisco. The emerging pedestrian network is one that highlights the changing priorities of urbanites nation-wide, newly oriented toward more ecologically diverse experience in the urban environment. The newly designed and built artifacts and architectural elements are bringing us into closer contact with lost ecological systems, habitats and wilderness, and are sheltering us from the effects of the automobile. Through their re-design, sidewalks, streets and parking areas are being reclaimed as places for water, plants, birds, insects and simultaneously, as places for people.
To make matters even more complex, the lack or presence of humans on a site becomes a variable to wildlife as well, thus developing reflexive relationships between humans and wildlife.
The city’s open spaces have been developed organically – often shaped by circumstances unique to the era in which they were built. The histories of these sites then record, in part, the history of the city’s development. But a new impetus in public space design which has prioritized returning sites to their states before the settlement of San Francisco inverts the relationship of history and site by using the space of the public site to explore the natural history of the Bay. Since the city was settled so rapidly, it is uncertain what exactly the San Francisco landscape looked like ages ago, or how biotic communities functioned prior to human settlement. Public efforts are returning most of the ecologies studied to their “native” states.
These sites become forensic in nature. They tap into the growing interest in researching the ecological past of what are now dense urban centers. New open space projects that leverage the findings of this research establish connections between the pedestrian and the natural history of the city and provide a new context within which to situate proposed projects that link the various open natural spaces within to city creating new systems or supplementing existing ones. Sites which excavate the natural past for present populations have substantial projective value, and concerted efforts on the part of ecological historians and designers to work together could pay high dividends in enriching urban public spaces and creating more sites where nature may re-establish itself within the confines of the city. This is a theme we have investigated in past projects such as our investigation, “Agri-Structure | Eco-Structure,” and is one that we firmly believe carries great potential.
Another dimension relating to the pattern of development of San Francisco’s urban spaces is the organic, piecemeal process in which this network has taken shape. While San Francisco boasts a wide range of scale and size in its public open spaces, these parks, alleys, and pockets of green are most often discrete objects – relationships with other open spaces are either non-existent or have evolved through creative temporary programming often organized in grassroots fashion by city dwellers (take for example, the many small farmers markets that transform otherwise quiet streets between neighborhoods into temporary pedestrian public spaces). This pattern stands in stark contrast to cities such as Boston, which have historical precedents for large public space meta-projects (ie, Olmstead’s Emerald Necklace, and the recently completed Central Artery Project). This is an example of a process that is the polar opposite of the pattern of open space development in San Francisco. However, while these meta-projects laudably attempt to create defined connections between multiple public spaces, the very nature of their planning and construction is disruptive, costly, and time consuming. Despite these inherent drawbacks, their scale also carries visionary portent and suggests a greater city that could leverage its emergent possibility when perceived on the macro scale. We would like to propose such a project.
Given these precedents, our study’s proposal is for a project has not yet taken shape. This project would combine the discrete nature of San Francisco’s public spaces, the grassroots community involvement of the city’s population, and the vision and foresight of larger infrastructural projects. Could a planned network of temporary and permanent small scale urban spaces that collectively assist in filling the gaps between the city’s existing public urban spaces combine these three strategies successfully? Such a project could breathe new life to under-utilized spaces, find new uses for unnecessary program, and bridge successful sites with each other, creating a new layer of experience within the city. The discrete and small scale nature of each individual project would encourage community involvement and private investment into collective urban spaces. The large-scale vision of the project would ensure that these sites form relationships with existing public spaces, and create a new pedestrian experience within the city – encouraging further investment and community involvement.
We believe that the San Francisco’s goal should be nothing short of being the premiere pedestrian city in the country. A pedestrian open-space network such as we propose would form the basis for a new sense of what a “landmark” project entails – monumental in ambition but without the need for monumental form. To achieve this, we believe that a new metabolism or systemic project that is connected and incremental is necessary, finally evolving into a fulfilled promise for a better pedestrian city.
Shana Astrachan Jewelry Exhibit at Urban Interstice Gallery
Opening its doors at 3443 26th Street, San Francisco, from November 19th through December 18th, the Urban Interstice Gallery will feature the work of jewelry and object maker Shana Astrachan.
Orchestrated by Shana herself, the retail shop and show space will feature holiday focused gift items by her and a handful of other talented artists, featured with rotating weekly trunk shows. The space will also host events lead by her alter ego beauty biz, Fox & Doll, featuring makeup artistry and skin care by Shana and Elizabeth Fox.
Come join us for the opening celebration will be held Friday, November 19th from 4-8 PM.
The Show will be open on Fridays and Saturdays from Noon to 7pm, as well as by appointment (415.420.1257).
More information on the show and other events by Ms. Astrachan can be found at http://shanaastrachan.blogspot.com/
Recap – Home Tours Weekend/GREENskin in arcCA
The Home Tours weekend and inaugural gallery installation went extremely well, and concluded a very busy month of September in the office. Now that we’ve had a bit a chance to catch our breath, we wanted to express our appreciation to everyone who participated in the Home Tours, and we were equally proud to share the Mission:House with all of you that took the time to drop by and see our work up close.
For those of you who weren’t able to make it to the Home Tours, you can read up on what some of our visitors had to say (Inhabitat / Architect’s Newspaper). Special thanks to Mike Chino (Inhabitat) and Lydia Lee (Architect’s Newspaper) for sharing their impressions!
On the topic of the Mission:House, we’re happy to share that our recently awarded GREENskin Facade System was featured in the 10.3 issue of arcCA, in its AIACC Design Awards Section. Flip to page 40 to see the project and other winning projects in the Small Design Category.
Mission:House Featured in 2010 San Francisco Home Tours + Urban Interstice Gallery Opening
The San Francisco Architecture and the City Festival commences next week and we’re pleased to invite participants to both take a tour of our Mission:House, as well as view our newly completed Urban Interstice Gallery’s inaugural exhibit.
As a part of the San Francisco Living: Home Tours weekend event, guests will be able to tour some of the city’s most architecturally distinctive residences. The Mission:House will be one of the homes included on the tour, open for viewing on Saturday, September 12th.
The Mission:House is an 1100 sqft. “hybridizing” residence and living laboratory for a family of four (architect, landscape architect, and two daughters), who have made it their personal trial grounds for materials, light and unorthodox construction techniques. Experiments range from floors of expansive steel plates, walls of thermal plastics, and magnetic closet/display walls, to integrated passive energy strategies, ingenious waste-stream material reclamation, and high-tech thermal & solar power collection.
On the street a façade of shingled glass, built entirely of reclaimed material, creates an unusual “Greenskin” of refracted light through superimposed frames. Inside a 50-foot long wall of sliding doors reconfigure the ground floor studio while upstairs an operable skylight stretches across the house to let in the sky (and rain). A 30-foot rear façade of sliding corrugated thermal plastic, looks into the timber bamboo canopy. Translucent & luminous materials imbue the small home with a sense of volume and openness. Green magnetic walls slide and swing to absorb program, while the roof integrates an organic vegetable garden, hot tub, and a 4 kilowatt photo-voltaic array into a terraced topography of modular wood tiles.
If you are interested in learning more about the Mission:House, you can find more images and descriptions on our website. You can obtain more information regarding the Home Tours and reserve your spot by visiting www.aiasf.org/hometours.
Downstairs from the living spaces of the Mission:House will be the inaugural exhibit of our newly completed Urban Interstice Gallery, Public Networks of Urban Access. Relating to the Festival’s theme of “Investigating Urban Metabolisms,” the exhibit showcases the emerging network of pedestrian access and pedestrian-centered environments that have been designed, built and improved upon in the last two decades in San Francisco.
The emerging pedestrian network is one that highlights the changing priorities of urban dwellers. Priorities that are increasingly calling for the design of artifacts and architectural elements that bring us in contact with lost ecological systems, habitats and wilderness, and shelter us from the effects of the automobile. Through Design we are reclaiming sidewalks, streets and parking areas. Designers are finding creative ways to gain universal access to more wild landscapes, sensitive areas and the surrounding bay. The exploration of these projects will be presented in photographs, drawings and narrative falling into the following topical areas: Topographic Access, Pedestrian Streets, Water Access, Access to Sensitive Habitats.
We will be curating this exhibit which will showcase a number of public space projects in San Francisco. The opening reception will be Tuesday, September 14th at 5:00 pm, with the exhibit open through September 25th.
The Urban Interstice Gallery is located at 3443 26th Street, between Bartlett and Mission Streets (Google Map Link). Hours are from 2-6 pm Thursday – Saturday.
Current Project: Comox House
The Comox House, located on Vancouver Island, BC, is nearing completion, and we thought we’d share some progress photos with you as its construction winds down to the finish. If you’re curious to learn more about the house’s design, take a look at our website to see more photos and drawings.
The existing site was chosen for its remarkable and dense cluster of mature Douglas Fir trees which traverse the beach frontage. These trees are an exceptional environmental resource and critical to the coastal riparian habitat which has suffered significant depletion at the hands of insensitive development. The preservation of these trees became the departure point for the critical approach and formal language of the house. The proposed residence is sited to pass between them, maintaining and protecting them. As the house squeezes between the trees searching for the oceanfront, it elevates seven feet into the air onto a series of piloti placed on an irregular grid to avoid the critical network of roots of the mature trees. The pier foundations avoid imposition on the tree’s root systems and minimize the surface area of associated soil disturbance. The ecology of the site was prioritized and the impact of the house was consciously offset to maintain equilibrium and habitat.
IA Office — Our "New" Space
We thought we’d share our “new” office with everyone – “new” being a relative term as we’ve been working in our renovated warehouse space at 587 Shotwell Street for about a year now. Aside from a new kitchen, new lighting fixtures, and some custom furniture, our biggest improvement to the space has been the conference room, a.k.a. “The Cube.” The Cube’s clouded glass shell is 100% reclaimed material, sourced from local reclamation yards. The glass is mounted to a simple exposed wood structure, held in place by custom mounting brackets we fabricated in our shop.
Featured Project: 3443 26th Street Facade
We’re pleased to share some photos of one of our projects completed earlier this year – our facade renovation at 3443 26th Street. Located in the Mission District, this two-story house’s first floor facade was completely redone using reclaimed sealed glazing units, sourced locally from area reclamation yards. The steel framing structure that houses the glass is built to accept a wide range of unit sizes, and the random assortment of units results in a facade with unique qualities of depth and reflection. IA looks at this project as a case study in researching how we might better re-incorporate waste-stream materials into new construction, and the detailing and construction know-how required to ensure the quality performance of the resulting structure.
You can see more photos of the project on our website.